Cosmographer 宇宙誌学者

Photographic cosmography offers no truths; it sketches paths

Le mystère n’est jamais résolu : il reste en suspens, comme une invitation à l’évasion.

Mapping the Fragments of the World

To observe the world is to accept its fractures. Like the cosmographers of old, who charted maps where the visible intertwined with the imaginary, photography unfolds an intimate geography. Each click of the shutter becomes a writing of light, an attempt to create the atlas of a world in constant motion.

I pursue this cartography of the sensitive through my series. In Metamorphosis, it is not landscapes that transform but states of mind, decaying materials. In Leaving Home, each image is a station, a point of rupture on the chessboard of intimacy. As for Figures of a World on the Brink, the photographs reveal traces of a universe teetering, suspended between collapse and resilience.

Reflections of the Fleeting World

Each photograph is a shard of light wrested from oblivion. Like a sailor charting his course by the stars, I rely on fleeting glimmers that punctuate ephemeral scenes. Light guides, orients, but never allows itself to be mastered.

In Todtnauberg and Unheimlichkeit, composing an image is like walking a tightrope between familiarity and vertigo. Each shot becomes a fragment of a map, a subtle trace left for the traveler to find their own path. The mystery is never resolved; it remains suspended, an invitation to escape.

The Image as a Geography of the Ephemeral

In this visual cosmos, each image becomes a star detached from its sky. Each series weaves a unique constellation, inviting the viewer to project their own maps. Photographic cosmography offers no truths; it sketches paths, multiplies possibilities, and allows the ephemeral to reign supreme.