Resonances or

In Their territory

An exploration of geological and memorial sedimentations, and of the deep entanglement between the human and the non-human within a shared territory

RESONANCES explores the multiple dimensions of a territory in southern Ardèche. Inherited from a long family history, this land—cultivated for decades—carries within it the memory of human gesture. These marks, whether visible or faded, overlap with geological strata, with the rhythms of the wind, the seasons, and the cycles of living beings.

Here, everything enters into dialogue: stones, plants, animals, but also invisible presences, the ghosts of the past. Together, they weave a palimpsest where geological time and human time answer one another. The territory becomes a living organism, crossed by resonances and memories—an space where ancient and contemporary presences intertwine, respond to each other, and sometimes merge.

Each image is an attempt at listening. It reveals the fragile continuity between memory, geology, and life, and questions our way of inhabiting the world. The series transcends the divide between nature and culture: it invites us to consider the territory as a constellation of coexisting beings, a fabric of interdependencies in which the human is no longer at the center, but inscribed within a broader weave of the living.

In RESONANCES, photography becomes an act of presence—a mindful gesture seeking to capture the silent vibration of things. It invites us to perceive the slow breath of the landscape, to recognize this ongoing dialogue between presence and absence, between past and contemporaneity. The territory then becomes the poetic witness of a shared history — that of human and non-human life, united in the same breath, the same quiet song of the world.